![]() ![]() And she said, “But you haven’t done anything at all.” And we said, “But aha, we have. We took everything out of the attic, absolutely everything, installed a base, put secret passages in, and then put back the junk on top, so it looked exactly the same, as messy as it was before.Īnd Mom was horrified when she’d come back and find the attic trashed. She was like, “Oh, boys, I’m so touched.” We didn’t really mean it that way. We told my mom we were going to tidy the attic. I remember once with my good friend, Alex Cardell from six doors down the road, we were probably about 13. So the deeper you delve into it, the more you uncover. The attic was always seeded with this absolute air of mystery. There’s these magic tricks - vanishing mystery boxes where you can drop a coin in, and because of the mirrors, it evaporates. In this attic, there was a collection of artifacts from lost years: furniture, there was probably some taxidermy, my mother’s mug collection. A young Felix Barrett with his father, a magician. And all the remnants of those tricks are in the attic. He was fine, but the tricks all got muddled, and he never did a magic trick again. Awards: 2007 Connecticut Critics Circle Award ( No Exit, Hartford Stage), 2001 Elliot Norton Award ( Mother Courage and Her Children, A.R.T.), seven Independent Reviewers of New England Award nominations.FELIX BARRETT: My dad used to be a magician, and he was a magician until there was a crash. Dance soundscapes include works for Concord Academy Dance, Snappy Dance Theater Company, and Lorraine Chapman. Y), Our Town (Boston Theatre Works), Far East (Vineyard Playhouse), Only You (Efron Entertainment). Other credits include Farragut North and Yankee Tavern (Contemporary American Theater Festival), The Merchant of Venice (Actor’s Shakespeare Project), Ah, Wilderness! (CenterStage Baltimore), The Diary of Anne Frank (New Rep), The Scottish Play (La Jolla Playhouse), Leap (Cincinnati Playhouse in the Park), Daughter of Venus, Action Jesus and Dressed Up! Wigged Out! (Boston Playwrights’ Theatre), Sideways Stories from Wayside School, All of a Kind Family and The Fabulous Invalid (Emerson Stage), Samson Agonistes (92nd St. ![]() He has also toured regionally and internationally with the A.R.T. Sound designs by David Remedios have been heard in Sexual Perversity in Chicago/The Duck Variations, Romance, Trojan Barbie, Endgame, The Seagull, The Communist Dracula Pageant, Let Me Down Easy, When It’s Hot It’s Cole, Cardenio, Julius Caesar, Copenhagen, Donnie Darko, A Marvelous Party, No Man's Land, Oliver Twist, Britannicus, The Onion Cellar, The Island of Slaves, Orpheus X, Romeo and Juliet, No Exit, Three Sisters (2005), The Keening, Amerika, Olly's Prison, Desire Under the Elms, Dido Queen of Carthage, The Provok'd Wife (original music and sound), The Miser, A Midsummer Night's Dream (2003), Snow in June, Lady with a Lapdog, The Sound of a Voice, Pericles, Highway Ulysses, Uncle Vanya, Lysistrata, Absolution, Marat/Sade, Stone Cold Dead Serious, Enrico IV, Othello, Animals and Plants, The Doctor's Dilemma, Mother Courage and Her Children, Three Farces and a Funeral, Antigone, Nocturne, How I Learned to Drive, and Man and Superman. Borger has a Master of Arts in Theater from The Ohio State University. Previously Borger spent thirteen years as Deputy Head of the National Theatre Studio of Great Britain, where she oversaw the readings, workshops and classes for some of the most prominent playwrights, actors and directors in the United Kingdom. Prior to A.R.T., Borger spent over a decade as General Manager at the Royal Court Theatre in London, where she produced more than one hundred and fifty productions, including The Seagull, Rock ’n’ Roll, The Weir, Jerusalem, A Number, and My Name is Rachel Corrie, which transferred to New York. a home for emerging and established artists to take risks and create and incubate new work. Diane Borger joined the American Repertory Theater in the fall of 2009 as the Executive Producer for Sleep No More, and took on the full-time position of Producer for the A.R.T in January 2010 where she partnered with Terrie and Bradley Bloom Artistic Director Diane Paulus to make A.R.T. ![]()
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